Hello!

Sierra holds a B.F.A. in Acting from Otterbein University.  Their intersectional identity as a neurodivergent, Latin(x), queer, genderfluid artist, results in a unique creative expression, and allows them to bring a unique and recherché perspective to their work and studies.

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Their little family includes the two cutest furry friends: a schnoodle named Humphrey Bogart, and a labradoodle named Carol Burnett.

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Nature is their happy place - whether that's spending time at the beach collecting seashells and swimming in the ocean, strolling through parks, or sitting quietly outdoors listening to the ambient sounds.​

 

A voracious reader, you'll often find Sierra nestled in her book nook, lost in plays and stories.

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Meet them, and they'll probably ask about your enneagram number or favorite philosopher - it's their favorite icebreaker and a gateway into deeper conversation, (not to mention a topic they love to geek out over).  For Sierra, philosophy isn't just an academic interest; it's a practical toolkit for exploring life's big questions and figuring out how to live.

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As an aerialist, she spends her free time high in the air: being suspended in midair brings them peace - whether they're performing, practicing, conditioning, or just hanging around (literally).

 

Fun Fact: Sierra’s full name is made up of 5 names in total.

Sierra Rose Morgan Perez-Gelbman

(Try saying that five times fast!)
 

Sierra has most recently performed in the ensemble of Otterbein University’s production of Natasha, Pierre, and the Great Comet of 1812.  She previously starred as the titular role in Aaron Mendoza’s production of Alma; and originated the role of Tessa-Reese in playwright Jeremy Llorence’s new work The Great Influencer.  Other Otterbein credits include Egia in A Midsummer Night’s Dream, Mrs. Soames in Our Town, Shelly in Buried Child, and the female understudy for the roles of Carol, Ms. Furnival (performed), and Clea in Black Comedy.